They could also play music via a music player, which included the campaign and multiplayer scores as well as several Call of Duty Zombies tracks. In between campaign missions, players returned to the Headquarters, a small base where they could read up on the story via the data terminal. In an attempt to save them, the player’s soldier was hooked up to a DNI, a device that connects them to other CIA agents and allows them to use cybernetic enhancements. The story actually ends with the player dying on the operating table. Though it appears as if players survived when playing the campaign in the order it is originally presented, they did not. Having their arms and a leg removed by an enemy robot, even the advanced technology of 2065 cannot save them. This wall of text reveals that, after the “first” mission (chronologically the last), the player-made character dies. What players are really playing is a simulation, with their character not even being their character. While this would be wild on its own, what makes it more insane is the fact that this text tells the real story.

If players pause while this text is scrolling, they can read it clearly, and this text reveals an entire second storyline. At the start of each mission, a huge wall of text scrolls in the bottom left corner before getting blacked out in the classic, confidential style. Missions being out of order is hardly the only twist players likely missed in Call of Duty: Black Ops 3’s campaign, however, as it is really only the tip of the iceberg.

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